Showing posts with label libraries. Show all posts
Showing posts with label libraries. Show all posts

Thursday, June 2, 2011

Works of genius at a library near you

Late this winter we were plagued by a sinister smell in the library. Something was broken in the metallic bowels of the furnace. Something was cracked and bleeding oil. When dizzy spells and upset stomachs resulted, things got serious. This problem is unfortunately still dogging us and sadly the library has been closed for a while because of it. Much as I appreciate the sudden influx of free time, I do miss my work there. 

One of the things I miss most is dishing about books. Fawning over the sparkling new covers, getting recommendations, prodding for impromptu reviews when members return their latest batch at the circ. counter and giving out my own "you have to read this" advice - that is a large part of what makes library work fun. 

I especially miss all the booktalk now that café terraces are so inviting with their drowsy summer breezes and icy drinks. Obviously delicious reading material is required. Not that there's a dearth of possibilities. In fact I often find myself cowering in the shadow of my to-read pile. Therein lies the problem, really. When so many tantalizing titles are calling to you it can be difficult and overwhelming to try to pluck just one at a time. In that instance it can be something of a relief to have someone simply put a book in your hands with a wink and promise that it is worth your time. 

By necessity (weeding) I've had to trawl the depths of my library shelves and so I've found a great many glittering gems. This is a list of library books I would happily, heartily put in your hands if you had come to me desperate for something tasty to read.

The Girls by Lori Lansens
Canadian (small town Ontario), lovely, haunting. A fictional life story of conjoined twins, Rose and Ruby Darlen - though it is so realistic that people often assume it's based on real people*. The premise seems to scare people off a bit, the idea that these young women are inherently tragic. While there is some heartache in this book, there is also humour and mystery and very little time is spent making you feel sorry for the girls. In fact you begin to wish you had a twin of your own at your side.

The story is told by the girls (women, actually, as they are 29) themselves, alternating between the two very different voices. The prose completely took my breath away and this has become one of my favourite books.

This is the opening paragraph: 
"I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to the beguiling moon. I’ve never used an airplane bathroom. Or worn a hat. Or been kissed like that. I’ve never driven a car. Or slept through the night. Never a private talk. Or a solo walk. I’ve never climbed a tree. Or faded into a crowd. So many things I’ve never done, but oh, how I’ve been loved. And, if such things were to be, I’d live a thousand lives as me, to be loved so exponentially."

* Check out this interview with Lori Lansens for some background on her inspiration.


 Mystery series, set in England in the 1950s. Our plucky heroine is Flavia, an eleven year old chemist who lives in a fossilized manor house with her grief-stricken father, her treacherous older sisters Ophelia and Daphne as well as their shell shocked groundskeeper, Dogger. Oh, and Flavia's trusty bicycle Gladys, of course. This series is: clever, funny, marvelous. There are currently three, and I just finished the most recent one (A Red Herring Without Mustard). The second one (The Weed That Strings the Hangman's Bag) was maybe a bit slow, but the first is wonderful and the third one is the best so far.



Childhood memoir, graphic novel, heart-breakingly good. This has bite and literary merit and so much heart. I've seen people go from "I don't read comics" to "where do I find more of this kind of thing???" after reading this book. Take your time reading it because the panels contain an astonishing amount of detail. 



Have you ever read David Sedaris? Why ever not? He's brilliant. This was the first of his books that I read and it was instant love. Since then I've switched to audiobooks for his work because he does them himself and the only things better than his writings are his readings. If you get the chance to see him live, do it.
"On my fifth trip to France I limited myself to the words and phrases that people actually use. From the dog owners I learned "Lie down," "Shut up," and "Who shit on this carpet?" The couple across the road taught me to ask questions correctly, and the grocer taught me to count. Things began to come together, and I went from speaking like an evil baby to speaking like a hillbilly. "Is thems the thoughts of cows?" I'd ask the butcher, pointing to the calves' brains displayed in the front window. "I want me some lamb chop with handles on 'em." "

English history, non-fiction, but not dry at all. Originally this was published in three parts, but it has since been made available as an omnibus and I was thrilled when I got it for Christmas (my library only has the first two parts). I really enjoy historical fiction but I've never studied history properly and so I feel that my understanding of the unfolding of things is more than a little patchy. This is obviously a general overview, not a lot of depth can be gone into about each figure, but it is so readable and so fun that I think it's a great resource to have on hand. When you come across a name that you know you should know but can't quite recall, this is the place to go.

Also, the woodcuts at the beginning of each chapter are a nice touch.

As Levar Burton used to say on Reading Rainbow, "you don't have to take my word for it!" There are sample chapters for you to peruse on Lacey's website here.





Wednesday, April 6, 2011

Dreamy and Dark


Library - 2007 (The City) Lori Nix
Ages ago I came across the above image and I loved it. Unfortunately, as is the way sometimes, I was not able to track it back to its original source, so I had no idea who made it or what the context was. I couldn't tell how it was made either; it didn't quite look real but it didn't appear to be painted or digital either. Magic! Obviously.

Finally, the other day, I came across this article and now I know: Lori Nix. She creates these intricate shoebox worlds and then photographs them.

Ah! No wonder I like it. Dioramas: I am a fan.
Clockwise from top left: Olympic Forest, 2010 (Unnatural History); Birdhouses, 2001 (Lost);
Birds in Flight, 2001 (Some Other Place); Clock Tower, 2005 (The City)
 Her earliest stuff evokes a rather lovely stop-motion horror movie feeling. I especially like her later work, in particular the series' Unnatural History and The City. There's something delightfully eerie about seeing wild things take back an urban landscape. Sad too, and I think that's part of the point. On her website Lori Nix talks about having a sense of humour in/about her work though, so I don't think she's all gloom and doom.

Clockwise from largest: Aquarium, 2007 (The City); Angler Fish, 2009 (Unnatural History);
Mastodon, 2009 (Unnatural History); T-Rex, 2010 (Unnatural History) 

Clockwise from largest: Fountain, 2008 (The City); Botanic Garden, 2008 (The City);
Museum of Art, 2005 (The City); Majestic, 2006 (The City)
I made mosaics because that's the easiest way to share heaps of images, and there are indeed so very many lovely, haunting images to share. The best way to see them, though, is full size so you can poke around and take note of the staggering detail in each little window.

Map Room, 2010 (The City)


Quotes from Lori Nix's "About" page:

"Inspiration comes from reading the daily newspaper The New York Times, science fiction paperbacks and magazine articles. I get most of my ideas during my morning subway commute from Brooklyn to Manhattan to go to my day job. Something about the morning light, the rocking of the subway, seeing the cityscape pass by opens my mind up to inspiration."

"Currently it takes about seven months to build a scene and two to three weeks to shoot the final image. "

"I am fascinated, maybe even a little obsessed, with the idea of the apocalypse."

"I am interested in depicting danger and disaster, but I temper this with a touch of humor."

"In my newest body of work "The City" I have imagined a city of our future, where something either natural or as the result of mankind, has emptied the city of it's human inhabitants. Art museums, Broadway theaters, laundromats and bars no longer function. The walls are deteriorating, the ceilings are falling in, the structures barely stand, yet Mother Nature is slowly taking them over. These spaces are filled with flora, fauna and insects, reclaiming what was theirs before man's encroachment. I am afraid of what the future holds if we do not change our ways regarding the climate, but at the same time I am fascinated by what a changing world can bring."


Natural History, 2005 (The City)


Wednesday, March 23, 2011

I spy with my little eye


A springtime image by David Peterson of Mouse Guard

+ Some purple hyacinths in an old honey jar, next to the window. Stems reaching, flowers beginning to fold in on themselves, heady scent starting to fade.

+ A boy on the bus, with foot-long eyelashes which are completely incongruous with his thick stubble.

+ Unspeakably scary news from the other side of the world, of trembling earth and colossal waves. Just like that, out of nowhere, for so many people everything is gone.

+ A couple, on the corner, trying to take an arm's length photo. Laughing because instead they took video of themselves posing.

+ Pigeons bathing in the street-side lakes that had formed overnight, as the city temporarily thawed. Whole parties of pigeons gathering at the pool, dipping under the surface before popping up, feathers askew, spray fanning out around them.

+ An office, on a mezzanine, reached by spiral staircase, overlooking the library, inside of a museum, with a window looking out on busy streets and falling snow. A place where one catalogues 16th century dresses and 18th century books. In a word, heaven.

+ A café, done entirely in white. Blinding: stark, bright, white. White wicker, white tables, white walls. Glass cases full of tiny delectables dusted with the green crumble of crushed pistachio. Customers wearing tweed and cashmere, sipping espresso from tiny white cups. A small white dish with two maracons.

+ A chunk of ice, hanging precariously over a doorway. Water dripping continuously. Will it shrink, or will it fall?

+ A suitcase, open on my living room floor. A passport, a pair of strappy shoes with height (I have to practice wearing those...), a sun hat, a book. A trip I would never have planned, but am grateful to be invited on.

+ An accidental glimpse in the mirror beside the coffee maker in the office kitchen. Dressed this morning by going: what is on the top of the pile? Grey cardigan it is. Hair coiffed at desk, after removal of hat + coat, and pulled back into a static-defying ponytail. Make up? Not really. But in that glimpse: rosy cheeks, happy eyes, as-if-on-purpose hair with just the right flyaways. How many times do we look in the mirror and not want to change a thing? Not often enough.

+ A paperback in my purse, for reading on the bus. A great cover. Purple, naturally.

Smoke and Mirrors: Short Fictions and Illusions by Neil Gaiman

Friday, February 18, 2011

Words Planted Like Seeds

Today is a mirage. A preview of spring, nothing more. By Sunday all this will be frozen over again, encased in ice, piled high with snow. For today, however: icicles shrink, drain pipes gush and heads go hatless under a cloudless sky. I feel a breeze in my hair and it makes me shiver but not from cold. It's like a shard of June has broken off and fallen backwards through the seasons. I wonder if, later this year, we will come upon the fragment of February that it replaced. I wonder if we will go to sleep hot and sticky, in a world of parched grass and air conditioning only to wake up facing a blizzard?

*****

On Tuesday I entered the vault. When I heard that I was invited to visit a bank archive I thought yawn and ah well, it'll look good for class.
*

I had to be escorted into the elevator by my obliging tour guide; the service elevator is the only one that goes to their floor. Not up, as I'd assumed, but down and into an old vault. We stepped through the giant metal door as if entering a submarine. We're under land though not water; a subterranean instead.

I was surprised by how lovely it all was. It felt newly renovated. Despite the lack of windows it appeared to be a calm and comfortable place to work. Just three people in the department, all bookish and bright.

There was a storeroom full of treasure. I don't know what I expected. I think I'd imagined that all I would see would be reams of graphs (printed on dot matrix, with tear-away edges) showing how the piles of gold belonging to the bank have grown over the years. And this is when we signed a contract with The Prince of Darkness... see how dramatically our dividends increased after that quarter? But of course it was not like that at all. It was dusty old ledgers from the 1820s and artwork purchased by the bank and prototypes of typewriters all gleaming brass keys encased in wood.

The treasures were remarkable, of course, but the best bit was when my host sat me down to show me what she does every day. From outside looking in (not that you could, not that deep underground) it would not appear terribly exciting: cleaing old things, typing away about them in a database. But when she told me about it she beamed.

You are writing the history of the bank, of the city really, and of the items in our collection. This database is it, it's the record. I love my job.

*

I checked out the little museum on my way out. It's on the main floor and open to the public, unlike the rest of what I'd seen. There were more stories under glass. Crumbling bank notes from before Canada had its own currency; lovely 3D pictures of the construction of the Old Port (made of cut paper and little strips of wood); a handcarved letter opener.
*

There are things in that vault, solid artifacts with ID numbers, a monetary value and a spot on a shelf. But the reason they matter is because they are placeholders for stories. They whisper, in their hidden lair under the cobblestones of Old Montreal, even if the only souls who hear are the archivists in the next room. It is a library like any other, a treasure trove made up of words whether they are printed on a page or whether they hover, invisible, in the air.


*****

I wish I were an athlete but I am decidedly not.

The truth is, the snowboard won. I get these ideas, I think that maybe this time I will take to something immediately. I will show natural talent and I will swish down the hill in style. And then, of course, reality hits and I am flailing in the snow with a large chunk of fiberglass strapped to my feet, on the verge of tears. How did I get to be so delicate? Have I always been this way? Everybody falls. Everybody gets back up and tries again. It is the only way to improve. I know this, I knew this before I inched up the bunny hill on the motorised ramp. It made no difference though, each time I collided with the mountain I felt the breath and starch both get knocked out of me.

Why does it have to hurt so much? When can I go in and drink hot chocolate?

*

Just once it would be nice to be able to impress him. Just once it would be nice to see pride in his eyes rather than patience and pity. He spent the whole car ride back with his hand on my knee saying You did so well, I'm so happy we went, You should have seen yourself on that last run, but somehow I had trouble believing him.

The next day I expected my tailbone to ache, but it didn't. The rest of me was sore though. Especially my arms and my fingers. All those times I had to hoist myself back up, doing backwards push-ups on a moving board.

People asked how my weekend was and I found myself telling them that I went snowboarding. Just like that, like it was a fun outing and not abject humiliation. Everyone cooed and said Oh my, that must have been hard! I'm too scared to try. Are you any good? and I found myself chuckling and saying No, not really, but everyone sucks at first. 

I guess I'll probably end up doing it again, won't I?

*****


The past few days I've been trapped in my couch. I started reading Room and could not stop. Interruptions would not cease: work, making supper, sleep, hygene. I would have preferred that they leave me be, to read for as long as it took.

It's not really my favourite kind of book but it is the kind that requires you to stay up with it, holding a flashlight if necessary, asking over and over what happens next?

The language is deceptive. It seems simple but it isn't and it is now imprinted on my brain. I hear myself thinking in the cadence of a five year old and urging myself to be scave. If that sounds a little too precious, or if you think that books narrated by children are not your thing, I bet you would be surprised by this story. I bet you would be charmed and drawn in and moved to the edge of your seat. Or then again, maybe you wouldn't, but I was and I'm glad.

Tuesday, June 29, 2010

Bookworms Unite

Library Advocacy Day

Did you know that was today (in the US)? I didn't. But now, thanks to children's illustration blog, I do!

These images were found via children's illustration, but originated at St Paul Public Library.